Say Who, Interview, Sachiko Kodama Vision Gate –“Gravity Garden”, March 29, 2021.

Paola Antonelli, Curator’s Comment (for KODAMA Sachiko, Gravity Garden in Vision Gate at Haneda/Narita airport) 2021.

Yukiko Kato, Between Life and Non-Life: Sachiko Kodama’s Black and Bridget Riley’s Pink, AM Journal of Art and Media Studies, 2019.’s_Black_and_Bridget_Riley’s_Pink

Matthew Larking, Sachiko Kodama’s Law of Attraction, Japan Times, Nov 14, 2017.

C.A. Xuan Mai Ardia, 10 Japanese Contemporary Artist Who Are Revolutionizing Art, Culture Trip, October 23, 2016.

Pau Waelder, Sachiko Kodama: Sculpting Impermanence, Art Futura, pp.12-23, 2013.

Jean M. Ippolito, The Search for New Media: Late 20th Century Art and Technology in Japan, Common Ground Publishing, 2012.

Blaine Brownell, Liquid Architecture – Sachiko Kodama, Matter in the Floating World: Conversations with Leading Japanese Architects and Designers, Princeton Architectural Press, pp.193-200, 2011.

Jasmine Greene, Interview with Sachiko Kodama, Feb/2/2011.
(Originally in

David Schmidt, The MorphoTowers: The Magnetic Art of Sachiko Kodama, The Daily Book of Art 365 readings that teach, inspire & entertain, Walter Foster Publishing, 2009.

Stephen Nomura, Sachiko Kodama: Ferrofluid Art, Art History 381, November 18, 2008.

Ryan Bishop and John Phillips, Media Art at UMAT, Theory, Culture & Society 2007 (SAGE, Los Angeles, London, New Delhi, and Singapore), Vol. 24(7–8): 359–369, 2007.

◇Articles by Sachiko Kodama.
Sachiko Kodama, Toshino Iguchi, Ferrofluid Sculpture as Biological Aesthetics, Proc. of the 2015 IASDR Conference: Interplay, pp.1099-1114, 2015.

Sachiko Kodama, Dynamic ferrofluid sculpture: organic shape-changing art forms.” Communications of the ACM 51, 6, pp.79-81, 2008.