文献資料:Bibliography

これまでに発表された記事、書籍からご紹介いたします。

Say Who, Interview, Sachiko Kodama Vision Gate –“Gravity Garden”, March 29, 2021.
https://saywho.fr/en/interviews/sachiko-kodama-vision-gate-gravity-garden/

Paola Antonelli, Curator’s Comment (for KODAMA Sachiko, Gravity Garden in Vision Gate at Haneda/Narita airport) 2021.
https://culture-gate.jp/exhibition/vision-gate

カロリーナ・セカ, 芸術家・児玉幸子 (スペイン人の目、驚きの日本 第2回), 美術展ナビ,Aug 29, 2019.
https://artexhibition.jp/topics/features/20190829-AEJ99363/

Yukiko Kato, Between Life and Non-Life: Sachiko Kodama’s Black and Bridget Riley’s Pink, AM Journal of Art and Media Studies, 2019.
https://www.researchgate.net/publication/335831378_Between_Life_and_Non-Life_Sachiko_Kodama’s_Black_and_Bridget_Riley’s_Pink
[PDF]

Matthew Larking, Sachiko Kodama’s Law of Attraction, Japan Times, Nov 14, 2017.
https://www.japantimes.co.jp/tag/sachiko-kodama/

C.A. Xuan Mai Ardia, 10 Japanese Contemporary Artist Who Are Revolutionizing Art, Culture Trip, October 23, 2016.
https://theculturetrip.com/asia/japan/articles/10-japanese-contemporary-artists-who-are-revolutionising-art/
[PDF]

Pau Waelder, Sachiko Kodama: Sculpting Impermanence, Art Futura, pp.12-23, 2013.
https://www.pauwaelder.com/sachiko-kodama-esculpir-la-impermanencia/

Jean M. Ippolito, The Search for New Media: Late 20th Century Art and Technology in Japan, Common Ground Publishing, 2012.

Blaine Brownell, Liquid Architecture – Sachiko Kodama, Matter in the Floating World: Conversations with Leading Japanese Architects and Designers, Princeton Architectural Press, pp.193-200, 2011.

Jasmine Greene, Interview with Sachiko Kodama, Feb/2/2011.
https://www.scribd.com/document/51183179/Interview-with-Sachiko-Kodama
(Originally in http://povilasuogintas.gdnm.org/2011/02/22/researchpart02-sachiko-kodama/)

David Schmidt, The MorphoTowers: The Magnetic Art of Sachiko Kodama, The Daily Book of Art 365 readings that teach, inspire & entertain, Walter Foster Publishing, 2009.

Stephen Nomura, Sachiko Kodama: Ferrofluid Art, Art History 381, November 18, 2008.
https://www.scribd.com/document/40663389/Sachiko-Kodama-Ferrofluid-Art
https://artsdocbox.com/Fine_Art/67424381-Sachiko-kodama-ferrofluid-art.html

Ryan Bishop and John Phillips, Media Art at UMAT, Theory, Culture & Society 2007 (SAGE, Los Angeles, London, New Delhi, and Singapore), Vol. 24(7–8): 359–369, 2007.
[PDF]

◇児玉幸子本人によるテキスト: Articles by Sachiko Kodama in Japanese.
Sachiko Kodama, Toshino Iguchi, Ferrofluid Sculpture as Biological Aesthetics, Proc. of the 2015 IASDR Conference: Interplay, pp.1099-1114, 2015.
[PDF]

児玉幸子, 脈動する磁性流体アート, 日経サイエンス『アートする科学』211号, 表紙, 6-17頁, 2016.
https://www.nikkei-science.com/page/magazine/0703/sp-art.html

児玉幸子,向多美子,テクノロジーを用いる表現の著作性-Webを漂流する磁性流体の映像とデザイン資源,日本デザイン学会誌,デザイン学研究特集号,22(2)46-51,2015.
https://uec.repo.nii.ac.jp/?action=pages_view_main&active_action=repository_view_main_item_detail&item_id=296&item_no=1&page_id=13&block_id=21
[PDF]

Sachiko Kodama, Dynamic ferrofluid sculpture: organic shape-changing art forms.” Communications of the ACM 51, 6, pp.79-81, 2008.
https://cacm.acm.org/magazines/2008/6/5384-dynamic-ferrofluid-sculpture/fulltext